Valle Crucis South Carolina
Pure. Raw. Destructive. Violent. Black Metal 2016-2019; 2022-Present
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supported by 6 fans who also own “Fuck It”
Very late to the party, but for several years I've found melodic black metal all too similar and all albums sounding like Dissection, etc... HOWEVER, not only I am back into it but UADA is still a layer of complexity above the main baseline and this is an old album worth having, that's a basic milestone in UADA's discography and I felt it needed to be part of my BC collection.
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supported by 4 fans who also own “Fuck It”
I don't mean to be a "first albums only" elitist or anything of the sort since I didn't even discover these guys til maybe a year and change ago, but truth be told- the demo tracks are my favorites despite Deafheaven's undeniable growth and evolution into a broader sort of awesome.
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Umbras de Barbagia
by Downfall of Nur
supported by 4 fans who also own “Fuck It”
After listening to Ysyry Mollvün, listening to Downfall of Nur was urgent and turned out to be one of the best decisions I have made in quite some time: Umbras de Barbagia is simply magisterial; the atmosphere can hardly be compared to anything else. There is a deep, palpable connection to nature imbueing each very fibre of this record. The amalgamation of black metal and folk elements is done with a high intuition for detail and class, resulting in a highly immersive experience. Wonderful.
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Prophecies of Eternal Darkness
by Necrofier
featured on Bandcamp Radio Sep 3, 2021
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More bleak, enveloping atmospheric black metal from the masters at the Vendetta label, “aevum” is both harrowing & strangely beautiful.
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Bloody Keep - Rats Of Black Death
by Bloody Keep
featured on Bandcamp Radio Feb 2, 2024
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Dreaming in a Dead Language
by Mo'ynoq
supported by 4 fans who also own “Fuck It”
Great, versatile black metal with detail aplenty. Some songs are surprisingly upbeat at times - e.g. Carve My Name, before dropping into claustrophobic dissonance and ultimately exquisite atmosphere - while other songs come along as frenetic and apoplectic throughout. Then there's the dismal piano: presaging impending doom, gracefully placed in the middle of the album and interlaced with its successor. Let alone the closing track. This album will pull you deep into the currents of its misery.
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